Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes

ID: 41781

unknow artist The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes
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unknow artist The King Abgar Receiving the Mandylion,with the Saints Paul of Thebes


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unknow artist

  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 56 | Ovidiu in exil, ulei pe carton | Still life floral, all kinds of reality flowers oil painting 60 | Portrait of Pasquale Paolin, Corsican general and politician | Classical hunting fox, Equestrian and Beautiful Horses, 195. |
Related Artists:
GILLIS, Nicolaes
Dutch painter (active 1610-1630 in Haarlem)
Giovanni Battista Gaulli Called Baccicio
Genoa 1639-Rome 1709
Alexander Nasmyth
Scottish Painter, 1758-1840 was a Scottish portrait and landscape painter, often called the father of Scottish landscape painting". Edinburgh Castle and Nor'Loch, circa 1780.Born in Edinburgh, he studied at the Royal High School and the Trustees Academy under Alexander Runciman, and, having been apprenticed as an heraldic painter to a coachbuilder, he, at the age of sixteen, attracted the attention of Allan Ramsay, who took the youth with him to London, and employed him upon the subordinate portions of his works. Nasmyth returned to Edinburgh in 1778, and was soon largely patronized as a portrait painter. He also assisted Mr Miller of Dalswinton, as draughtsman, in his mechanical researches and experiments; and, this gentleman having generously offered the painter a loan to enable him to pursue his studies abroad, he left in 1782 for Italy, where he remained two years. Robert Burns, 1787.On his return he painted the excellent portrait of Robert Burns, now in the Scottish National Gallery, well known through Walker's engraving. Political feeling at that time ran high in Edinburgh, and Nasmyth's pronounced Liberal opinions, which he was too outspoken and sincere to disguise, gave offence to many of his aristocratic patrons, and led to the diminution of his practice as a portraitist. In his later years, accordingly, he devoted himself mainly to landscape work, and did not disdain on occasion to set his hand to scene-painting for the theatres. He has been styled, not unjustly, the father of Scottish landscape arte His subjects are carefully finished and coloured, but are wanting in boldness and freedom.






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